(Vocal/instrumental group, 1972–82, 1989–present) The blue-eyed soul of Scots Alan Gorrie (vocals, bass), Malcolm Duncan (saxophone), Owen McIntyre (vocals, guitar), Hamish Stuart (vocals, guitar), Roger Ball (keyboards) and Robbie McIntosh (drums) topped the US charts in 1975 with the album AWB and single ‘Pick Up The Pieces’. After dabbling in disco with ‘Let’s Go Round Again’, ...
When 1980s hair-metal band White Lion released the video for their breakthrough hit ‘Wait’ in 1987, guitar fans saw arguably the second coming of Eddie Van Halen. Guitarist Vito Bratta brought forth tasty rhythm-guitar parts, masterly single-note technique, and above all, a two-hand tapping technique that, while in the style of Van Halen, found a ...
In his short life, California guitarist-mandolinist Clarence White (1944–73) conceived innovations that would inspire country and rock guitarists from both a stylistic and technical perspective long after his death. He brought bluegrass picking to the forefront of rock, turning acoustic guitar into a solo instrument. He developed a device for electric guitar that let traditional guitarists sound like pedal-steel ...
Modern blues guitarist Jack White (b. 1975) was born John Gillis in Detroit, Michigan. He taught himself to play drums, starting at the age of five. On leaving school, he played in various Detroit bands. In 1996, he married Meg White and, reversing normal practice, took her surname. The White Stripes were born when Meg ...
Groups of fresh-faced young men singing catchy tunes have been one of the mainstays of commercial pop since The Beatles. In the last two decades, manufactured boy bands such as New Kids On The Block and Take That have ruled the roost. Although their musical legacy bears no comparison to that of The Fab Four’s, the devotion they inspired ...
When The Grateful Dead started attracting a large fan following on the Bay Area concert scene during the late-1960s, courtesy of free-form jams that showcased the band’s fusion of folk, rock, country and blues, it signalled that rock’n’roll was latching onto a tradition of improvization that had long been prevalent in other forms of Western music. This ...
The classical period saw the rise of the ‘Harmonie’, a small wind band of up to a dozen instruments. Usually this consisted of a mixture of brass and reeds, such as horns, clarinets, oboes and bassoons: Beethoven’s octet op. 103 (1792) is written for two of each of these (the 1796 op. 71 sextet leaves out the oboes). ...
While in the US and several European countries there is a tradition of mixed wind bands, Britain developed bands made up of brass instruments with saxophone and percussion. The repertory of such ensembles tended to be arrangements of dance music, opera overtures and marches. (Twentieth-century British composers have pioneered original music for brass band.) The brass band developed ...
The music of Latin America combines influences from the traditional music of the African slaves transported between 1450 and the end of the nineteenth century, music from the Spanish and Portuguese colonial powers, and latterly, pop and jazz from North America. Samba is an umbrella term describing an energetic style of dancing and drumming performed at the annual ...
(Instrumental group, 1900–17) The Eagle Band, originally led by Buddy Bolden, was an extremely popular and influential New Orleans ensemble. Frankie Duson (or Dusen) (1880–1940), a powerful tailgate trombonist, joined the band in 1906 and went on to take over the band when Bolden suffered a mental collapse the following year. Subsequently, Duson employed various Bolden ...
(Instrumental group, 1917–25) The Original Dixieland Jass Band were five young white musicians from working-class uptown New Orleans – Nick LaRocca (cornet), Larry Shields (clarinet), Eddie Edwards (trombone), Tony Spargo (real name Sbarbaro, drums) and Henry Ragas (piano). All alumni of ‘Papa’ Jack Laine’s stable of bands, they went to Chicago and then to New York, where ...
(Vocal/instrumental group, 1927–34) They did not invent the style, but guitarist/harpist Will Shade (a.k.a. Son Brimmer) and his rollicking aggregation were among the most popular and influential of the jug and string bands that proliferated around Memphis and Louisville, as well as in the Mississippi Delta, during the 1920s and 1930s. With various personnel coming ...
(Violin, bandleader, 1890–1967) Erroneously dubbed ‘The King Of Jazz’ by press agents, Whiteman led his first dance band in San Francisco in 1918. Arriving in New York in 1920, he assembled some of the city’s top musicians and gained popularity with hits such as ‘Japanese Sandman’ and ‘Whispering’. In 1924 his orchestra premiered George Gershwin’s Rhapsody In ...
(Guitar, piano, vocals, 1906–77) Booker T. Washington White was raised on a farm outside Houston, Texas; his father taught him guitar in 1915. Two years later he learned piano and by 1921 he was working barrelhouses and honky tonks in St. Louis. Inspired by a meeting with Charley Patton, he hoboed through the South for much ...
(Guitar, vocals, 1908–69) Joshua Daniel White was born in Greenville, South Carolina, to a preacher father and a mother who sang in church. He worked in tandem with street singers such as Blind Blake and Blind Joe Taggart for much of the 1920s. His recording debut was made for Paramount in 1928 but his work for Banner/ARC ...
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...
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David Bowie
Fantastic new, unofficial biography covers
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